Head of programming at Segla. I watch everything that comes in, twice if it earns it. Before this I booked a repertory house in Los Angeles for nine years. My whole job is putting the right film in front of you on the right night.
I watched this in February and I have not stopped thinking about the scene in the parking structure. Ines holds on the mother for eleven seconds after the daughter leaves frame. Eleven. Most films cut at four. That patience is the whole movie, and it pays off in the last ten minutes when nobody says the thing you have been waiting all film for them to say. Watch it late. It wants the dark.
