these play in a room
Marguerite HaleFilms I have programmed or would programme tomorrow. A room changes a film. Every one of these gets bigger with forty strangers in the dark.
Films arranged by the people who watch them. Put one together, rank it, write a line under each film, and play the whole thing straight through.
Films I have programmed or would programme tomorrow. A room changes a film. Every one of these gets bigger with forty strangers in the dark.
Forty minutes a day, twice a day, and all of these were shot inside it. Watch them on the best screen you own with the room lights off.
I have sat in rooms where these decisions get made and they are not made like this. Five pilots. I would buy four and argue about the fifth.
Turn it up or do not bother. Everything here was mixed by somebody who cared, and half of it is wasted on a laptop speaker.
Short films I did not understand the first time and went back to. Some of them I still do not understand. I am fine about it.
Films where a person goes to work and the film knows what the work actually is. My favourite genre. Nobody else calls it a genre.
What I put on when I get home from the booth and the flat is too quiet. Nothing here has ever felt long at three in the morning.
Not the best films I saw this summer. The ones I went back to, which turned out to be a different list entirely.
I watch submissions all week. These are the ones I go back to on a Sunday, when nobody is asking me for a decision about anything.
For everybody who tells me they do not have time. All of these are shorter than the argument we are having about it.
Films I rate highly and would still fight about. If you loved any of them without reservation, I would honestly like to hear why.
For anyone who still thinks editing is invisible. It is not invisible here. In every one of these, one cut is the whole idea.
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