
Heat, water and long marriages, from Rafaela to the estuary.
Director, Writer, Cinematographer
Her first feature, releasing on Segla on the eleventh of September.
A companion piece to La Siesta, with the same girl four years older and a licence.
Lucía Ferreyra is from Rafaela, in Santa Fe province, and moved to Buenos Aires at twenty-three to work in television, where she spent seven years writing for a long-running afternoon serial. She says the serial taught her structure and nothing else. She shot La Siesta on her parents' street across four January afternoons with her father's car and her niece. Río de la Plata took three years, most of them spent getting permission to film aboard a working dredger, and was made with the port authority's survey teams as advisers and in some cases as extras. She writes on the estuary side of the city and walks the costanera when a scene will not come. She cuts with Bruno Cattaneo and shoots with Nadine Zorrilla. Ines Salgado came down from Mexico City for two weeks to consult on the edit.
The people they keep working with.
The heat is a character and nobody mentions the heat. A fly lands on a glass at minute six and the film gives it four full seconds. That is a decision somebody defended out loud in an edit suite, and they were right to.
Ten minutes, one room, three people asleep and one awake. The whole film is the awake one deciding whether to wake anybody. On the page this is a page and a half. On screen it is ten minutes and not one of them drags, which is the trick I have never once managed to learn.